The track order is different on the CD, I think.
Comprehensive sleeve notes for this album are reproduced at Bee Knees and can be viewed here.

"A defining moment in the English folk revival came with the release of Shirley Collins' first album in 1959. Recorded in London by Alan Lomax and Peter Kennedy and originally released on the prestigious American Folkways label (Folkways 03564), this reissue has been remastered from the original tapes and completely repackaged. The choice of repertoire and arrangements capture a turning moment in the English folk song revival of the 1950s, and in the recording career of one of England's finest interpreters of traditional song. The purity and innocence of these songs have stood the test of time and Collins is justly regarded as one of England's most distinctive and acclaimed folk voices. "DESCRIPTION FROM FLEDGLING

The track order and listing for the CD has confused me. See it here only showing 16 tracks. "Polly Vaughan" and "The Blacksmith" have vanished and track 14 is shown as "Streets Of Derry/False Bride" and track 15 as "Locks And Bolts/Rambleaway".

It hardly matters since nearly all the album has been raided for compilations, as you can see above.

"Shirley Collins's sweet, self-effacing singing keeps her closer to the core of traditional song than many a more histrionic singer. Yet her work has been extraordinarily diverse - she has collaborated with the guitarist Davy Graham, the Incredible String Band, the Albion Country Band and her sister Dolly. "The Sweet Primeroses" are simple and resonant versions of Southern English songs which established Shirley Collins as a unique and influential voice on the folk scene. " DESCRIPTION FROM FLEDGLING

" A gorgeous album from 1967 when Shirley arranged 14 songs of love, loss and unquiet graves and produced a folk classic. With sister Dolly on a replica of a 1643 pipe organ there is little wonder that a medieval feel lingers in the mind long after the last note fades." DESCRIPTION FROM FLEDGLING

It is interesting to compare Rambleaway on this CD with that on Sweet Primeroses, the former having the accompaniment of yet more traditional instruments (cornett and crumhorn). Both Anthems and Amaranth used musicians from David Munrow's Early Music Consort.

Shirley Collins - vocal ; Ashley Hutchings - electric bass (1-7,9), percussion (7) ; Richard Thompson - electric guitar (1,5,6,7,9), lead electric guitar (4), slide electric guitar (8), acoustic 12 string guitar (3) ; Simon Nicol - electric guitar (1,2,4,9), acoustic guitar (3,5,6), vocal chorus (8) ; Dave Mattacks - drums (4,9), sticks (2) ; Ian Whiteman - piano (1,5) ; Roger Powell - drums (1,2,5-8) ; Tim Renwick - electric guitar (4), acoustic 12 string guitar (7) ; Lol Coxhill - alto saxophone (1) ; Maddy Prior - vocal harmony (6) ; Dave Bland - concertina (1,5,6,9), hammer dulcimer (2,8) ; Tony Hall - melodeon (2,8) ; John Kirkpatrick - accordian (3) ; Dolly Collins - piano (3,9) ; Nic Jones - vocals and last fiddle solo (4) ; Barry Dransfield - fiddle (4), vocal chorus (8) ; Francis Baines - hurdy gurdy (4) ; Alan Cave - bassoon (1) ; Alan Lumsden - ophicleide (5) ; Steve Migden - French horn (7) ; Colin Ross - Northumbrian small pipes (5) ; Royston Wood - vocal (7), vocal chorus (8) ; Lal Waterson - vocals (7) ; Mike Waterson - vocals (7) ; Gregg Butler - serpent (8) ; Trevor Cozier - Jew's harp (8)

With the issue of the CD and its chunky insert, there are extensive notes for this album.

" There aren't many albums as steeped in Englishness as this 1974 release from one of the most important figures in the whole of the English folk revival, Shirley Collins. Even the morris sets sound perfectly inkeeping on this beautiful collection - traditional music has never sounded so accessible. "DESCRIPTION FROM FLEDGLING

"This was Shirley and Dolly Collins' last album together, originally released on Topic in 1978. It was something of a labour of love for them both as they chose songs that had a special relevance to them as they were growing up in Sussex. Dolly's arrangements (always criminally underrated) are a perfect foil for Shirley's exceptional vocal talent and this is one of their most satisying and timeless collaborations." DESCRIPTION FROM FLEDGLING

This album consists of a complete recording of Shirley and Dolly in concert in Dublin in 1978, plus some additional tracks from a London performance the following year. It includes a couple of songs, The Bonny Labouring Boy, and The Captain With His Whiskers and tunes which Shirley and Dolly never managed to record in the studio, and Shirley's spoken introductions to the songs are included on the disc. Shirley has written some very moving sleeve notes about her late sister, for the album, and the whole package brings back many happy memories of live Shirley and Dolly concerts.

In albums other than this one, the marker § denoted that the track is also on Harking Back as a live track.